Showing posts with label Dinaw Mengestu. Show all posts
Showing posts with label Dinaw Mengestu. Show all posts

Tuesday, October 16, 2012

MacArthur Awards and the Immigrant Experience

Last week a couple of our favorite authors, Junot Diaz (The Brief Wondrous Life of Oscar Wao) and Dinaw Mengestu (The Beautiful Things That Heaven Bears), won prestigious MacArthur fellowships. As it happens, we are reading Hector Tobar's The Barbarian Nurseries, an immigrant odyssey through contemporary Los Angeles this month and in that context I found it very interesting to hear Diaz and Mengestu discuss the influence of immigrant communities (Dominican and Ethiopian respectively) on their work in these MacArthur introductory videos:



The Diaz video can be found here. As I mentioned in another post, Diaz has a new book out, (This Is How You Lose Her) already nominated for a National Book Award and it seems Mengestu's third novel will be out soon. Interestingly, Carolyn Kellogg and Hector Tobar chat about the significance of the MacArthur Fellowships for the Los Angeles Times in the video below. In addition to praising the work of Diaz and Mengestu (with additional nods to Rights Readers favorites Edwidge Danticat and Toni Morrison), Tobar talks about the life of the writer and the impact of such awards.

 

Friday, April 13, 2012

Mengestu on Kony 2012

I didn't think I would have anything book-related to share about Invisible Children's Kony 2012 campaign to apprehend Joseph Kony, the Ugandan rebel leader indicted by the International Criminal Court.  Amnesty International USA has provided several helpful commentary, context and action suggestion posts on their blog.  But then I discovered that one author we've read, Dinaw Mengestu (The Beautiful Things That Heaven Bears), has written a provocative critique (Not a Click Away: Joseph Kony in the Real World) for Warscapes
What makes Kony 2012 especially frustrating, however, is that the film traffics in a sentimental and infantilizing version of Africa that is so prevalent we don’t even notice it. The idea behind a name such as “Invisible Children” is on par with the sentiments of the first colonists who claimed to have discovered the New World and Africa: We didn’t know about it, therefore it didn’t exist. ...
That same self-centered logic is the driving force behind the film’s solution: Make Kony famous in America, and that will solve the problem.
I highly recommend the whole piece.  I was also very interested to discover Warscapes, a promising new online magazine. Both Mengestu and another author we've read, Nuruddin Farah (Secrets) serve on it's advisory board along with a few more authors we have considered and I expect will read some day soon. Start by browsing the Art section and then let your self wander over to the literature and reportage.

Thursday, October 22, 2009

Rights Readers Round-up

Brother, I'm Dying (Vintage Contemporaries)Prize winners corner:
Forthcoming:
  • Greg Mortenson has a new book coming out for your holiday gift list.
  • Irene Khan, Secretary General of Amnesty International (and Nicolas Kristof) talk about the current state of the human rights movement at NPR's On Point. A very interesting discussion, though we don't learn much about Khan's new book, (The Unheard Truth: Poverty and Human Rights).

On the issues:
  • Bill Moyers interviews Dr. Jim Yong Kim (see Tracy Kidder's Mountains Beyond Mountains) about the connections between our current national healthcare debate and global health issues.
  • Ted Conover (Newjack)is interviewed by On the Media about the ethics of his undercover reporting at Sing Sing prison.

Saturday, April 19, 2008

Our April Author: Dinaw Mengestu

Some links for our reading of Dinaw Mengestu's The Beautiful Things that Heaven Bears:

For context NPR has a story on Ethiopian ex-pat artists here. You can watch video of Dinaw Mengestu give a reading (note the menu lets you can skip to the Q & A).

Tavis Smiley gets going with the author on the racial politics of the novel in this interview.
...My idea in writing the book was that, you know, I wanted to touch on as many different parts of America, I mean, gentrification, race relations, class relations, definitely relations obviously with immigrants, and also to push the idea of what it means to be an immigrant inside of America further than the stereotype of, you know, you come to America, you pull yourself up, you progress, you strive, everything is eventually going to be all right.

But characters who actually come realizing that everything's not going to be all right, they're not going to make it into the world and also to look at America very critically. I think the book spends a lot of time, you know, looking at American history, looking at American politics, race in America, and really try to see what is happening especially inside of American cities.

The book is set entirely in Washington, D.C. and inside of that little community that's rapidly gentrifying, where this historically Black neighborhood is being rapidly displaced by the new white upper-class community that's moving in. I think that's a dialog that still needs to be happening, especially right now where you can see cities transforming and changing so rapidly and, in my opinion, irresponsibly.
Meanwhile, this interview unpacks the literary references and the Guardian fleshes out his biography and explains why he received the Guardian First Book Award.

Finally, here's an article Mengestu wrote for Rolling Stone on the crisis in Darfur.

By the way, I updated our map of North America (see sidebar) so you can zoom in on Logan's Circle. The photographer responsible for the book cover shot has more pics of the neighborhood here.

Tuesday, December 18, 2007

For April: The Beautiful Things that Heaven Bears

For April, we have selected Dinaw Mengestu's The Beautiful Things that Heaven Bears,
Seventeen years ago, Sepha Stephanos fled the Ethiopian Revolution for a new start in the United States. Now he finds himself running a failing grocery store in a poor African-American section of Washington, D.C., his only companions two fellow African immigrants who share his bitter nostalgia and longing for his home continent. Years ago and worlds away Sepha could never have imagined a life of such isolation. As his environment begins to change, hope comes in the form of a friendship with new neighbors Judith and Naomi, a white woman and her biracial daughter. But when a series of racial incidents disturbs the community, Sepha may lose everything all over again.
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