Saturday, April 18, 2015

Our April Author: Patricio Pron


This month we are reading Argentinian novelist Patricio Pron's My Fathers' Ghost Is Climbing in the Rain. Visit Pron's personal website, Patriciopron.com, to get acquainted with this young writer. Unfortunately, there is not a great deal of interview and discussion material available in English (though plenty in Spanish if you are so inclined), but here are a few items worth checking out:

The book is based on Pron's father's experiences and his father has contributed reactions and annotations to his son's novel which can be found in English here.

Hispanic New York has a lengthy interview on a variety of topics such as his first memorable read,
I recall myself reading Jules Verne’s Around the World in Eighty Days on a very hot summer in the northwest of the country in 1981 or 1982 and thinking—maybe for the first time—that there was a world out there—I mean, out of the oppressive realities of the Argentine dictatorship that each one of us perceived in a different way— and that freedom and love and adventure were there. And I also recall myself thinking about writers as people living all these things—the freedom, the love, the adventure Verne had written about—and coming back to tell us about them, and thinking about how great their service was.
Publisher's Weekly has a shorter interview with some useful insights into the construction of the novel and this response to a question about the novel's reception in Argentina
It’s been quite controversial because people didn’t expect a young writer, someone in my generation, to take part in discussing this history. The expectation is that the witnesses and protagonists will write about it, and I wanted to say that we who were children then, the unintended witnesses of the circumstances, also have things to say.
This short piece, The present of the past of things, written for English PEN, explores themes similar to the novel- collective guilt, personal responsibility, national history and family stories. 

If you want to sample more, Paris Review (Ideas) and Guernica (Bees) both offer up Pron short stories. Or explore Madrid with Pron at Words Without Borders.

Finally, check out Amnesty International's human rights concerns for Argentina here.

Wednesday, April 01, 2015

For April: My Father's Ghost is Climbing in the Rain




Join us this month as we read My Fathers' Ghost Is Climbing in the Rain by Patricio Pron, one of Granta’s Best Young Spanish-Language Novelists:
A young writer, living abroad, makes the journey home to South America to say good-bye to his dying father. In his parents’ house, he finds a cache of documents—articles, maps, photographs—and unwittingly begins to unearth his father’s obsession with the disappearance of a local man. Suddenly he comes face-to-face with the ghosts of Argentina’s dark political past and with the long-hidden memories of his family’s underground resistance against an oppressive military regime. As the fragments of the narrator’s investigation fall into place—revealing not only a part of his father’s life he had tried to forget but also the legacy of an entire generation—this audacious novel tells a completely original story of corruption and responsibility, history and remembrance.

Sunday, March 15, 2015

Our March Author: Masha Gessen




This month we are reading Words Will Break Cement: The Passion of Pussy Riot by Masha Gessen. You can get biographical details on the author of this book detailing the history and trials of the Russian art collective Pussy Riot via Wikipedia. This Guardian article, My life as an out gay person in Russia, is a bit dated now, but explains why she felt the need to leave Russia for her family's safety, and gives you a more intimate look at her personal history and motivations.

In addition to the video above from the University of Chicago, I recommend Gessen's audio interview with Fresh Air. Or if you prefer print, Guernica goes deep with her on LGBT rights and the Russian protest movement in general: Gay Propaganda and Russia’s Shrinking Public Space. In more recent news, you might want to catch up with her views on the murder of Russian opposition leader Boris Nemtsov either on WNYC's Brian Lehrer Show or in an opinion piece for the New York Times for the New York Times.

Of course a book like this demands a video supplement just for Pussy Riot performances. Open Culture has conveniently assembled the band's more significant videos in one place. There are many post-prison interviews with Nadia and Maria available, but why not go with this one from Amnesty International United Kingdom. Then, if you are a House of Cards fan, you can relive their third season cameo appearance courtesy of Slate.  And not to be missed, there is their just-released Ferguson video I Can't Breathe.

For a little more in depth analysis, I like this insight on the punk sensibilities of both Pussy Riot and the Chinese artist Ai Weiwei:


I also found this BBC audio program helpful in understanding why Pussy Riot targeted the Russian Orthodox Chruch: Putin, the Patriarch and Pussy Riot.

Be sure to follow up your Pussy Riot explorations with a look at Amnesty International's human rights concerns in the Russian Federation including the murder of Boris Nemtsov, LGBT rights and take action for the free speech rights of other Russian activists.

Saturday, March 14, 2015

Pussy Riot: A Punk Prayer



This month we are discussing Masha Gessen's book about the Russian art collective Pussy Riot, Words Will Break Cement: The Passion of Pussy Riot.  If you want to join in the conversation this Sunday but didn't have time for the book or just want a visual supplement for your reading, you can stream the documentary
Pussy Riot: A Punk Prayer on Amazon Instant video,

On February 21, 2012, five young women entered the Cathedral of Christ the Savior in Moscow. In neon-colored dresses, tights, and balaclavas, they performed a “punk prayer” beseeching the “Mother of God” to “get rid of Putin.” They were quickly shut down by security, and in the weeks and months that followed, three of the women were arrested and tried, and two were sentenced to a remote prison colony. But the incident captured international headlines, and footage of it went viral. People across the globe recognized not only a fierce act of political confrontation but also an inspired work of art that, in a time and place saturated with lies, found a new way to speak the truth. 
Masha Gessen’s riveting account tells how such a phenomenon came about. Drawing on her exclusive, extensive access to the members of Pussy Riot and their families and associates, she reconstructs the fascinating personal journeys that transformed a group of young women into artists with a shared vision, gave them the courage and imagination to express it unforgettably, and endowed them with the strength to endure the devastating loneliness and isolation that have been the price of their triumph.

Sunday, February 15, 2015

Our February Author: Alexander Maksik



This month we are reading Alexander Maksik's novel, A Marker to Measure Drift, the story of a young Liberian woman struggling to survive on a European island and to find a way forward from the trauma of war. Visit the author's website for a full listing of interviews and articles as well as a brief biography.

In addition to the book trailer above, a longer video presentation and reading by Maksik is available from The American Library in Paris. Audio interviews are available from The Public and KCRW's Bookworm, where Michael Silverblatt tests out a provocative take on the end of the novel.

A couple of print interviews worth exploring:

Guernica
The title—A Marker to Measure Drift—how does it relate to this decision that Jacqueline’s making, the decision to carry on? 
Alexander Maksik: The phrase comes from an essay I wrote years ago about sensualism, and from an image I kept returning to—trips to the beach with my parents when I was a kid. They had a little red Igloo Playmate cooler, where we would keep sandwiches. When I was out swimming, I would float with the current, and keep an eye on the cooler to measure how far I’d drifted. In the novel, Jacqueline is trying to find something like that—a solid point that she can use to evaluate the distance she has traveled, to measure how far she has drifted from a previous life.
Harper's Magazine
I don’t see Jacqueline as weak or desperate. She is strong and independent and determined to the point of making her life unnecessarily difficult. On the other hand, it is her determination, her pride and dignity, that allow her to survive. 
Of course, our Loyal Readers will be reminded of Helene Cooper's memoir, The House at Sugar Beach, when reading Marker, and it's no accident as Maksik acknowledges as part of his preparation for this novel. The interviewer at Epiphany detected another influence, J.M. Coetzee's Life and Times of Michael K. Maksik also credits as inspiration a film about the Liberian conflict by journalist Tim Hetherington that is unfortunately not easy to find. But as it happens, PBS Frontline has a new documentary out, Firestone and the Warlord, (available online and via iTunes) which I found quite resonant with the novel.

Finally, check in here for Amnesty International's take on human rights in Liberia and here for an overview of refugee and migrant rights.

Sunday, January 18, 2015

Our January Author: CJ Chivers



This month we are reading New York Times reporter, C.J. Chivers' history of the AK-47, The Gun.  I highly recommend a visit to Mr. Chivers' website cjchivers.com. In addition to biographical info, the author blogs from his reporter's notebook covering such issues as the arms trade, the Ukraine and Syrian conflicts, and his recent reporting on chemical exposure of U.S. troops in the Iraq War. (For more on that see this NYT documentary.)


Good interviews providing an introduction to the book come from NPR's Fresh Air and the World Affairs Council. Also of interest is this interview with Chivers after he received the Medill Medal for Courage in Journalism for reporting from Syria. And for kicks here is on The Colbert Report also talking about Syria.

Supplement your reading of the book by learning more about Amnesty International's work on the arms trade here or visit Control Arms to learn more about the United Nations Arms Trade Treaty.

Sunday, December 14, 2014

Our December Author: Jenny Erpenbeck



This month we are reading a short but rich novel, Visitation, by the German writer Jenny Erpenbeck. The video above attempts to visualize the impressionistic style of the novel in which ordinary domesticity is repeatedly swept away by historical events as the author chronicles the life of a vacation home.  (I'm a bit murky on the film's origins, but I love when novels inspire artistic responses.)

As with many of the works in translation that we read, it's a bit difficult to find supplemental material in English. She has a new novel out in translation, The End of Days, so as she becomes better known we may be able to find additional resources.

A couple of video interviews are available, one from Boston University with her translator Susan Bernofsky  Start around the 30 minute mark to hear her discuss how much historical research went into the work as well as some biographical details. In a panel discussion from the Center for Fiction she also gives a good overview of the relationship between the intimacy of the places we call home and the sweep of history.

Here are some print interviews worth exploring to learn more: 

The Jenny Erpenbeck Interview | Quarterly Conversation
Mieke Chew: In a review of Visitation, Alfred Hickling said that your novel had attempted to compress the trauma of the 20th century into a single address. To start then, a big question: how has history affected your writing?  
Jenny Erpenbeck: I think I always start with a very personal issue. Then, once I start to look at it closely, it becomes historical. Things become historical, just by looking at how they came about. It’s not that I start with the idea of telling a “historic” story. I think history infects the lives, the very private lives, of people, so you cannot remove something from history, even if you just want to tell a story. It gets in here and there. I think that this was what happened when I started to write Visitation. I started with my own story about the house, and then I saw that there were so many stories involved. Stories that occurred long before I came to the place that I write about. All of a sudden I was in the middle of the German history without having thought about it.
Focus on Literature - Goethe-Institut
If in the course of your life you’ve spent a lot of time in a place, in a street, in a city, at some point that tilts and time itself becomes something like home. At some instant it suddenly gains a great deal of weight and this weight then holds you fast to the place.
Finally, this Paris Review essay, Homesick for Sadness, seems to throw light on the inspiration for this book as well as Erpenbeck's experience of the fall of the Berlin Wall. 
When my son and I are in the country in the summer, sometimes we roam around, crawling under fences that have been blown over and knocked full of holes to access vacant lots once used for company holidays. We open the doors of empty bungalows; they aren’t even locked. We gaze at the carefully folded wool blankets at the foot of the bunk beds, the curtains that were neatly drawn shut before some long-ago departure, and the Mitropa coffee cups that someone washed and put away in the kitchen cabinet twenty-five years ago. Without saying anything, he and I gaze at all these things that have been preserved unchanged, as if by a magic spell, ever since the last Socialist vacationers spent their holidays here—just before their companies were phased out at the beginning of the nineties, transforming an absence that was to last only two days into an absence forever.
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