What makes Kony 2012 especially frustrating, however, is that the film traffics in a sentimental and infantilizing version of Africa that is so prevalent we don’t even notice it. The idea behind a name such as “Invisible Children” is on par with the sentiments of the first colonists who claimed to have discovered the New World and Africa: We didn’t know about it, therefore it didn’t exist. ...
That same self-centered logic is the driving force behind the film’s solution: Make Kony famous in America, and that will solve the problem.
I highly recommend the whole piece. I was also very interested to discover
Warscapes, a promising new online magazine. Both Mengestu and another author we've read, Nuruddin Farah (
Secrets) serve on it's advisory board along with a few more authors we have considered and I expect will read some day soon. Start by browsing the
Art section and then let your self wander over to the literature and reportage.
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