Showing posts with label Reinaldo Arenas. Show all posts
Showing posts with label Reinaldo Arenas. Show all posts

Thursday, April 05, 2012

Rights Readers Goes to the Opera

I discovered recently that the Lyric Opera of Chicago plans a 2015 world premier opera based on Ann Patchett's novel (about an opera singer), Bel Canto. Peruvian-born composer Jimmy Lopez has been assigned the score and Pulitzer Prize-winning playwright Nilo Cruz will pen the libretto, with soprano Renee Fleming as creative consultant. Although the book seems an obvious choice for stage treatment, the Chicago Reader notes a formidable barrier,
The story, about a group of trapped hostages and their captors, all speaking different languages and communicating through an interpreter, is a dramatist's nightmare. Cruz says he "immediately connected" with the material of the novel, but is wrestling with the fact that "we have to be cautious or the translator will be the main character."
We'll keep an eye on this.

Meanwhile, this got me to wondering just how many books we have read that have subsequently been turned into operas. When you stop and think about it, there is a lot of drama in the struggle for human rights, with plenty of  bloody action, soulful martyrs, and just general outrageousness that opera requires.

Probably the most famous book-to-opera we've encountered would be Dead Man Walking, based on Helen Prejean's death row memoir, which has been successfully produced by a number of opera companies. Sister Helen wrote on her blog recently,
I was just in Tulsa, Oklahoma, giving talks and media interviews for the opera of Dead Man Walking, which opens on February 25, performed by the Tulsa Opera. I got to meet the entire cast, including the 12 or so children, whose piping young voices inject hope.
Immediately after I left, Kirstin Chavez, the mezzo who will portray me (her aria is “My journey…”) got on Facebook with Susan Graham and Joyce DiDonato who have been me in past operas. I heard the Sr Helen Trio had a lively chat, with the two vets offering robust encouragement to Kirstin.
I appreciate opera singers now that I realize how long they prepare, how hard they work, and the stress they feel.
Joyce DiDonato and the Houston Grand Opera will release a recording of a recording Dead Man Walking on April 24. Click here for an xcerpt from the production that includes the children Sister Helen mentions.

Another book we have read that has been transformed for the stage is Reinaldo Arenas' Before Night Falls. Orchestra Miami will present the opera this fall.  The world premier performance of the Jorge Martin score, by the Fort Worth Opera featuring baritone Wes Mason as the dissident Cuban writer, has also been recorded. Here's a sample:



Azar Nafisi's Reading Lolita in Tehran has been given a chamber opera staging.  If Nixon in China is worthy of an opera, Iran does seems a likely setting for a contemporary story. That's why I'm really curious about this Tony Kushner-Marjane Satrapi (Persepolis)-Kronos Quartet collaboration promised for the upcoming PEN World Voices Festival.

What else might be diva worthy? Both Sonia Nazario's Enrique's Journey and Junot Diaz' The Brief Wondrous Life of Oscar Wao have received theatrical treatments. But I was thinking our most recent book, The Tiger's Wife by Tea Obreht would be a good candidate-- they can stage the Lion King right? So a tiger, a bear or a stray elephant can't be that hard. It's got a song-writing, gusla-playing character, multiple generations of tragedy, zany fantasy elements and oh, the 'tiger's wife' is a deaf-mute. Hmm. That could be tough, but I'm sure there are some creative minds out there up to the challenge.

Friday, February 05, 2010

Round-Up: Familiar Authors in Unfamiliar Places

Snow Flower and the Secret Fan: A NovelIn our latest round-up, we find many of our authors stretching their wings in new genres and finding new audiences:
  • Film critic Roger Ebert is a fan of W.G. Sebald and shares some video tributes on his blog. Check out the one from the architecture students for an Austerlitz flashback.
  • John Conroy (Unspeakable Acts, Ordinary People) has converted his investigation of allegations of the use of torture by Chicago police officers into a play.  He described it for the NYT, “I wanted to indict the whole city of Chicago.”
  • Louise Erdrich (Tracks) will participate in the PBS series Faces of America which explores the genealogical histories of a dozen prominent Americans.
  • At the New Yorker, you can hear Junot Diaz read and discuss Edwidge Danticat's story "Water Child" and Danticat discuss Diaz' "The Dating Game."
  • The photographer Pieter Hugo has published a collection of photographs, Nollywood, about the Nigerian film industry.  Chris Abani (Graceland) and Zina Saro-Wiwa, daughter of Ken Saro-Wiwa supply the text.  Preview this striking collection here.
  • Orhan Pamuk (Snow) explains how his latest book, The Museum of Innocence, lead him to curate an actual museum and the NYT provides a slideshow of some of its holdings.  Want more Pamuk? How about a stroll with him through downtown LA?: "I like it when there is history, when there is decay. I'm very much impressed that this city has a decaying face. I identify it with my own." And then compare that to Istanbul.  Not juicy enough?  How about this literary match: ‘No secret, Kiran’s my girlfriend’
  • Finally, remember our exploration of afropop legend Fela Kuti when we discussed Uzondinma Iweala's Beasts of No Nation?  Kevin Mambo, star of the Broadway musical "Fela!" and Larry Cox, Amnesty International USA's Executive Director discuss the musician's commitment to human rights (and Obama's Nobel speech) on WNYC. More from NPR here.

Saturday, May 16, 2009

Rights Readers Round-up

Just catching up on some of our Rights Readers authors:

Excellent interview with Mohsin Hamid (The Reluctant Fundamentalist) on the BBC World Book Club.

Daniel Alarcon (Lost City Radio) discusses editing a collection of short stories by Latin American writers with the The New Yorker. Names to watch for?

Arundhati Roy (The Cost of Living) on the crisis in Sri Lanka. Follow the latest on Sri Lanka on AIUSA's Human Rights Now blog.

Going back a couple months on this one, but here's a New Yorker podcast on the Politkovskaya (Putin's Russia: Life in a Failing Democracy) trial. Amnesty insight here.

Tribute to Reinaldo Arenas (Before Night Falls) at PEN World Voices. Francisco Goldman (The Art of Political Murder: Who Killed the Bishop?) participated in a panel too.
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