Saturday, February 21, 2009
Kys t' ou? (How are you?)
Friday, February 20, 2009
Spring Cleaning
Or you would know that Samantha Power (A Problem from Hell: America and the Age of Genocide) has taken a position with the NSC, but before she stepped up to serve she wrote yet another profile of a human rights defender for the New Yorker (and oh yeah here's a short version of the one she wrote a whole book
And then there's Arundhati Roy's (The Cost of Living) response to the Mumbai attacks, the fact that Jon Burge (a central figure in John Conroy's Unspeakable Acts, Ordinary People: The Dynamics of Torture
Fortunately, this American Scholar article about Chinese censorship by Ha Jin (Ocean of Words Army Stories
Phew! That felt good! Perhaps we'll do that again sometime, sooner rather than later.
Thursday, February 19, 2009
For June: The Cellist of Sarjevo by Steven Galloway
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In a city under siege, four people whose lives have been upended are ultimately reminded of what it is to be human. From his window, a musician sees twenty-two of his friends and neighbors waiting in a breadline. Then, in a flash, they are killed by a mortar attack. In an act of defiance, the man picks up his cello and decides to play at the site of the shelling for twenty-two days, honoring their memory. Elsewhere, a young man leaves home to collect drinking water for his family and, in the face of danger, must weigh the value of generosity against selfish survivalism. A third man, older, sets off in search of bread and distraction and instead runs into a long-ago friend who reminds him of the city he thought he had lost, and the man he once was. As both men are drawn into the orbit of cello music, a fourth character—a young woman, a sniper—holds the fate of the cellist in her hands. As she protects him with her life, her own army prepares to challenge the kind of person she has become.
A novel of great intensity and power, and inspired by a true story, The Cellist of Sarajevo poignantly explores how war can change one’s definition of humanity, the effect of music on our emotional endurance, and how a romance with the rituals of daily life can itself be a form of resistance.
Anna Politkovskaya Update
Update: AIUSA responds.
Saturday, February 14, 2009
Our February Author: Louise Dean
How did you research The Human Season? Did you meet any resistance?And the Guardian,
Over a year, a week a month in Belfast. 500 hours of taped interviews from all sides. Protestant, catholic, terrorist, mother, priest, child, prisoner, prison officers, you name it. Some prison officers were terrified of being tracked down. Most of the former terrorists were keen to tell, even if they pretended otherwise. You have to stay angry to stay alive when you've killed.
The cadences of Northern Irish speech are vivid, not just in the dialogue but, subtly, in the body of the prose, and Kathleen, in particular, is a triumph of a character. You might expect Dean to have few difficulties in articulating the feelings of a mother for her children; more startling, perhaps, is the empathy with which she creates the inner life of Dunn, a man of principle but limited education now living under the shadow of retaliatory attacks from the IRA. 'I showed drafts of the book to some of the people I'd interviewed and become close to so that they could point out any inconsistencies,' Dean says, 'and perhaps the greatest compliment I've ever had was for one of the Catholic women to say she'd never seen it from the officers' point of view until she read the book.'Speaking of research, one of our Esteemed Readers passed on the Wikipedia link on Maze Prison and I found this BBC timeline helpful. Some lyrics to some prison songs can be found here. I know I felt a larger glossary for the book wouldn't have hurt and Esteemed Blogger Joyce came to my rescue with this.
For some very recent news about how the reconciliation is going in Northern Ireland check out these posts at Chasing The Flame and Talking Rights.
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