Dorothea Lange: A Life Beyond Limits
Marisa Silver: Interviews
Marisa Silver
South Dakota’s Pine Ridge Reservation is no stranger to strife and heartbreak, stark realities, and inspired idealism. In Young Lakota, we are brought directly into the emotional and often uncertain journey of Sunny Clifford, her twin sister Serena, and their politically ambitious friend Brandon Ferguson, who all share the desire to make a difference for themselves and their community.
Their political awakening begins when Cecelia Fire Thunder — the first female president of the Oglala Lakota — defies a South Dakota law that makes abortion a crime, even in cases of rape or incest. Fire Thunder takes a stand by proposing a women's health clinic providing abortions on the reservation but open to all local women. While Serena is unwed and with a toddler, and Brandon is raising two little boys, Sunny is just back on the reservation after two years in college. All three find themselves immersed in this political battle as they struggle between opportunity and principle.The film comes from the team that made the excellent documentary, The Education of Shelby Knox. Young Lakota premieres on November 25th.
Robin’s battles in tribal court with her ex-husband for custody of the children, even after he is convicted of abusive sexual contact with his daughter, illuminate how serious this problem is on the reservation. Her quest to heal her family, find a man worthy of her love, build a career, and fulfill her goal of returning to her reservation to help prevent the abuse of women and children, takes her on an intimate and inspiring journey full of heartbreak, discovery, and redemption.
Q Your subject is so upsetting -- and yet "Unnatural Selection" is surprisingly addictive with its rich characters and scenes. Did any writers inspire your style?
A I admire the way Philip Gourevitch writes about Rwanda -- you know, the book with the really long title, "We Wish to Inform You That Tomorrow We Will Be Killed With Our Families."For a nickel summary of the book you could go with this NPR piece, but if you have more time, the video above or the audio (also available via iTunes) on this page, New Books in Gender Studies, will give you a more thorough overview of the book. Much of the controversy surrounding sex selection centers on abortion. In this Salon article, Hvistendahl focuses on how antiabortion advocates (like NYT columnist Ross Douthat) read her wrong.
We are looking forward to reading Unnatural Selection: Choosing Boys Over Girls, and the Consequences of a World Full of Men by Mara Hvistendahl in March,
In 2007, the booming port city of Lianyungang achieved the dubious distinction of having the most extreme gender ratio for children under five in China: 163 boys for every 100 girls. The numbers may not matter much to the preschool set. But in twenty years the skewed sex ratio will pose a colossal challenge. When Lianyungang's children reach adulthood, their generation will have twenty-four million more men than women.
The prognosis for China's neighbors is no less bleak: rampant sex selective abortion has left over 160 million females "missing" from Asia's population. And gender imbalance reaches far beyond South and East Asia, affecting the Caucasus countries, Eastern Europe, and even some groups in the United States --a rate of diffusion so rapid that the leading expert on the topic compares it to an epidemic. As economic development spurs parents in developing countries to have fewer children and brings them access to sex determination technology, couples are making sure at least one of their children is a son. So many parents now select for boys that they have skewed the sex ratio at birth of the entire world.
Sex selection did not arise on its own. Largely unknown until now is that the sex ratio imbalance is partly the work of a group of 1960s American activists and scientist who zealously backed the use of prenatal technologies in their haste to solve an earlier global problem.
What does this mean for our future? The sex ratio imbalance has already led to a spike in sex trafficking and bride buying across Asia, and it may be linked to a recent rise in crime there as well. More far-reaching problems could be on the horizon: From ancient Rome to the American Wild West, historical excesses of men have yielded periods of violence and instability. Traveling to nine countries, Mara Hvistendahl has produced a stunning, impeccably researched book that examines not only the consequences of the misbegotten policies underlying sex selection but also the West's role in creating them.
The first time I met Malala, a couple of years ago, I asked her what her name signified. She answered: "Probably, a hero like the Afghan heroine Malalai [of Maiwand] or Malalai Joya. I want to be a social activist and an honest politician like her," she said, smiling. Ms. Joya, a 30-something activist, politician, and writer who was bitterly critical of both the Taliban and the Karzai regime, was at one point dubbed the bravest woman of Afghanistan.Read Joya's response to the attack on Malala here. (Also, there's a documentary film version of A Woman Among Warlords in the works. You can support it here.) Finally, I've read through Malala's BBC diary excerpts which help us see this wartorn region with the moral clarity of childhood. I hope there's more writing where that came from, and that she will recover sufficiently to continue documenting and sharing her life, bringing inspiration to all of us.
One Sunday in the spring of 1988, a woman living on a reservation in North Dakota is attacked. The details of the crime are slow to surface as Geraldine Coutts is traumatized and reluctant to relive or reveal what happened, either to the police or to her husband, Bazil, and thirteen-year-old son, Joe. In one day, Joe's life is irrevocably transformed. He tries to heal his mother, but she will not leave her bed and slips into an abyss of solitude. Increasingly alone, Joe finds himself thrust prematurely into an adult world for which he is ill prepared.
While his father, who is a tribal judge, endeavors to wrest justice from a situation that defies his efforts, Joe becomes frustrated with the official investigation and sets out with his trusted friends, Cappy, Zack, and Angus, to get some answers of his own. Their quest takes them first to the Round House, a sacred space and place of worship for the Ojibwe. And this is only the beginning.In this Chicago Tribune interview, Erdrich explains:
This is the first time I've written a book that was at once about human relationships, and yet very political, so I would encourage readers to look at the end. (An afterword discusses the 2010 Tribal Law and Order Act, which aims to reduce violence in tribal communities, and includes references to organizations working to advocate for Native American women.) When I started the book, I had the knowledge of this tremendously agonizing situation that is a truth on reservations, but as I wrote the book, it became an interior, psychological drama as I lived this boy's life. He was with me all the time.
Like most folk literature, landai can be sorrowful or bawdy. Imagine the Wife of Bath riding through the Himalayan foothills and uttering landai so ribald that they curled the toes of her fellow travelers. She might tease her rival: “Say hello to my sweetheart/If you are a farter [tizan, one who farts a lot], then I can fart louder than you.” She might make a cutting political joke: “Your black eyelashes are Israel/and my heart is Palestine under your attack.” She might utter an elegiac couplet: “My beloved gave his head for our country/I will sew his shroud with my hair.”
There's more, including a slideshow, at the Pulitzer Center website. More in this form can be found collected in Songs of Love and War: Afghan Women's Poetry. Samples from the book here. Also of interest, there is a new collection of poetry by Taliban authors, Poetry of the Taliban. The editors were interviewed in The Atlantic recently,
The average reader in the West probably regards the Taliban as being profoundly hostile to culture. How do we reconcile incidents like the destruction of the Buddha statues at Bamiyan with the outpouring of poetic sentiment documented in your book?
There is a difference between the formal pronouncements or edicts of the Taliban's leadership and the fighters on the ground. That is as true for the Taliban as it is true for the British Army. In our introduction we also note the contradiction between the formal edicts issued by Mullah Mohammad Omar (banning most kinds of music) and his private consumption of those same songs that he had banned. This is to be expected. The Taliban are not a monolithic movement, with fixed and unchanging attitudes. In many ways, our difficulties understanding the movement say more about us than it does about the Taliban.Sounds like what we need is an Afghan poetry slam.
Malalai Joya was named one of Time magazine’s 100 Most Influential People of 2010. An extraordinary young woman raised in the refugee camps of Iran and Pakistan, Joya became a teacher in secret girls’ schools, hiding her books under her burqa so the Taliban couldn’t find them; she helped establish a free medical clinic and orphanage in her impoverished home province of Farah; and at a constitutional assembly in Kabul, Afghanistan, in 2003, she stood up and denounced her country’s powerful NATO-backed warlords. She was twenty-five years old. Two years later, she became the youngest person elected to Afghanistan’s new Parliament. In 2007, she was suspended from Parliament for her persistent criticism of the warlords and drug barons and their cronies. She has survived four assassination attempts to date, is accompanied at all times by armed guards, and sleeps only in safe houses.
Joya takes us inside this massively important and insufficiently understood country, shows us the desperate day-to-day situations its remarkable people face at every turn, and recounts some of the many acts of rebellion that are helping to change it. A controversial political figure in one of the most dangerous places on earth, Malalai Joya is a hero for our times.
“In writing the music, I was thinking of crowd noises, the noise of family, the tenements, and the noise of the factory itself—everyone was packed so closely together—and then the sounds of the fire and the panic it caused.” [composter Elizabeth] Swados, who had worn a somewhat spacey expression while listening to her collaborators’ dialogue, became focused now that it was her turn to talk. “The pushing, crushing, and then the fire,” she went on. “How to do that, to convey that terrifying moment when the fire breaks out, vocally. There aren’t English words for it.Promo video below. More music and photos at this tumblr: From the Fire